— WARWICK BAR

DIGBETH BIRMINGHAM

 

 

 

 

 

 

 

 

 

 

 

 

 

 

We hope you can join us for our new exhibition opens this Friday, 6–8pm. We’re excited to be showing The Reading Room’s collection of artists’ books. The Reading Room are an artist duo from Berlin and will be joining us for the opening.

We’re also showing a programme of artists’ films that respond to some of the ideas presented by The Reading Room’s collection, starting with Facing Pages by Grand Union studio holders James Langdon and Stuart Whipps.

The exhibition continues until 23rd June, open Thursday to Saturday,  12–5pm.

 

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Please be aware that recycling is underway within Minerva Works!  All useful materials/resources that are left on site and have no owner will be stored away and on 15th of every month.  On this day, Unit 3 will be open for all tenants to view the items and take anything that may be of use to them.

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It’s going to take me a while to properly find my voice with this blogging residency thing – the brief is nicely vague – so I’m just going to bash through some notes from my visit on Monday.

Arrived to meet Sue who was showing Alice, a student from Birmingham Uni, around. She’s hoping to do a year-long study of waste management on the site for her Geography degree. She’s also rather tall, though this is not really relevant. I’m not sure why I mention it really. I just find tall people notable. I’m sure tall people get really annoyed by this though. Sorry.

Anyway, we met up with Jayne at Edible Eastside who had just put up the Carrot City exhibition, on display til May 6th. This is a touring “research initiative that explores how design can enable the production of food in cities” with each host of the boards adding a presentation of their own work before sending it on. Kinda like a chain exhibit. It started at Ryerson University, Toronto in 2008 and, after a few weeks at MADE over in the Jewellery Quarter (who, synchronicity fans, used to be based in the building currently occupied by K4), moves on to Germany and beyond.

With Jayne in tow we moved on to The Main Event, checking out a strip of land between the buildings at 110 Fazeley St and the canal. Here’s the satellite view and what you’d see through the gates.

Warwick Bar secret strip 8

Through the gates it looks like a driveway, which it sort of is, but it’s quite wide and goes on for quite a while. It definitely has that “you could do something interesting here” vibe to it and reminded me a little of the Rae Garden space Arlene Burnett was curating by the Custard Factory a few years ago – an otherwise useless odd-shaped space that curious folk could play with.

Warwick Bar secret strip 5

Most notably it’s a bridge over the canal which, when you clamber up a pile of bricks, gives a bit of a view across central Birmingham, rare for this end of Digbeth I think. Interestingly you can’t see any signs of life – just layers of buildings.

Warwick Bar Secret Strip 9

It also offers a good view of the Edible Eastside site from the rear. The fence is a little intimidating but it’s a potentially interesting connection.

Warwick Bar secret strip 1

Aside from what it could be used for it’s a fascinating piece of land. From above it looks like an branch from the railway and it’s certainly wide and sturdy enough to support trains, but it suddenly terminates at Fazeley Street. Someone said sheep used to be driven along it, maybe coming from the goods depot at Curzon St to the slaughterhouses of Digbeth.

I find these sorts of redundant spaces exciting for some reason, probably because finding a use is part of the game. What could you do with it?

Pete Ashton is the “blogger/photographer/artist-in-residence” for Warwick Bar and will be posting his findings on this blog from April through June. All his posts are archived here. His views are his own.

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WB newsletter March 2012(3)

Please see attached newsletter for March 2012.  The next instalment will be June 2012.

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If you’ve been wondering what the current exhibition at Grand Union is all about, this video interview with Reynir Hutber explains some of his ideas. This is the last week the show will be open, so do pop in if you haven’t already, 12–5pm, Thursday to Sunday.

We hope you’ll be able to join us for the opening of our next exhibition with Berlin based duo The Reading Room, 6–8pm, Friday 18th May.

 

 

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When I announced I was blogging here for a few months, someone asked what exactly “Warwick Bar” is, where the name comes from and so on. The welcome page on this site tells you about the current developments and such but there’s nothing really substantive about the history of the place. So since my job is partly to fill in the gaps, let’s have a go.

It’s a conservation area.

Go to Wikipedia and you’ll learn that it’s “a conservation area in Birmingham, England which was home to many canalside factories during the Industrial Revolution of the eighteenth and nineteenth centuries.” The article goes on to mention all manner of buildings that I didn’t think were part of Warwick Bar so I checked on the council website.

In conservation terms then, this is Warwick Bar.

Warwick Bar Conservation Area map

It took me a few seconds before I realised this is a pretty large chunk of Digbeth and Eastside. The two large white buildings in the middle are Millennium Point (with the bulge) and the old Parcelforce depot behind Curzon Street Station (now a wasteland / carpark). The bit we’re concerned with is the relatively small area just below that.

So from a conservation standpoint we’ve got three Statutorily Listed Buildings and one Locally Listed Building along with a section of the canal which I’ll get on to next.

The listed buildings are, clockwise from top, the Banana Warehouse, the old Fellows Morton and Clayton building (now home to Clifton Steel), 122 Fazeley Street (home to K4 Architects) and the recently renovated 106-110 Fazeley Street on the corner.

The rest of the site is light industrial units and brownfield development fodder. Oh, and a cement mixing plant.

It’s a quirk of the commercial canal network

If you look at the canal lock next to the Banana Warehouse you might notice something strange about it. Each side of the lock is the same height which is pretty pointless for a canal lock. But that lock is the key to the name of the area.

Stop Lock and Banana Warehouse

During the Industrial Revolution, when boats were the primary method of transporting goods across the country, water was a valuable commodity. Rival canal routes didn’t want to share their water so physical barriers were put in place to protect it, usually “stop locks” also known as “bars”.

From Wikipedia:

Where a junction was built, either because the older canal company saw an advantage in a connection, or where the new company managed to insert a mandatory connection into its Act of Parliament, then the old company would seek to protect (and even enhance) its water supply. Normally, they would specify that, at the junction, the newer canal must be at a higher level than their existing canal. Even though the drop from the newer to the older canal might only be a few inches, the difference in levels still required a lock — called a stop lock, because it was to stop water flowing continuously between the newer canal and the older, lower one. The lock would be under the control of the new company, and the gates would, of course, “point” uphill – towards the newer canal. This would protect the water supply of the newer canal, but would nevertheless “donate” a lockful of water to the older company every time a boat went through. In times of excess water, of course, the lock “bywash” would continuously supply water to the lower canal.

When variable conditions meant that a higher water level in the new canal could not be guaranteed, then the older company would also build a stop lock (under its own control, with gates pointing towards its own canal) which could be closed when the new canal was low.

The Warwick Bar, then, is a stop lock, connecting the Grand Union to the Birmingham Canal Navigations while sharing the minimum amount of precious water.

It’s a waterside regeneration project

What is a “waterside regeneration project”? It’s the sort of thing Isis do, and they’re the company that owns Warwick Bar. Isis is in turn part owned by British Waterways and are tasked with undertaking commercial developments that ensure “the natural systems, resources and diversity upon which they depend are enhanced for both current and future generations” with 50% of their profits being invested back in the waterways.

Like most of the big development projects in Digbeth over the last few years it’s stalled somewhat thanks to the market slump so Isis have scaled back their ambitions, looking at a slower form of development. The light industrial units have been spruced up and renamed Minerva Works and the brownfield area between the listed buildings is currently home to Edible Eastside.

I should say that I’m stating Isis’ intentions from memory of the presentation they gave to the Dutch visitors last week and I’m struggling to find that information online, but suffice to say the area was due to have something built on it and while that something isn’t going to be realised as intended they haven’t abandoned the site like some developers we could mention. Documenting this sustainable slow development, sharing the information and experience of the place with the tenants, Digbeth populace and Isis themselves, is the purpose of this blog.

Pete Ashton is the “blogger/photographer/artist-in-residence” for Warwick Bar and will be posting his findings on this blog from April through June. All his posts are archived here. His views are his own.

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